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K-pop: Individual Cognition Theory

Joseph Hwang 1. Individualization of Value If I were to be asked to provide a concise definition of art that is grounded in the human senses, I would suggest that the key elements are "look (visual perception)" and "storytelling (narrative)." Any entity must exist in a cognizable form to communicate with other living beings. This form can be described as "appearance," while the narrative provides a temporal dimension, thus giving the entity life. It is only through the medium of life that art can create meaning; through this same medium, the message of that meaning can be conveyed.  It was previously stated that the economic value of each musical composition is unique. Similarly, the financial value of the artist who performs and delivers that music is also variable. Since music is an aural phenomenon, it lacks a visual representation. However, the artists who create and perform music possess a visual identity. Each artist possesses a distinctive appearanc

Transcript of an Interview with Mr. Kim Hyung-suk, Composer-producer of the Godfather of K-pop and BTS, at the Sheldonian Theatre, Hosted by Faculty of Music, Oxford University. Part 7

Joseph Hwang


* On July 4, 2024, Mr. Kim Hyung-suk, the godfather of K-pop and one of Korea's leading composers and producers, gave a lecture and interview at an event hosted by the Faculty of Music at Oxford University. Here, I will post a series of interviews based on the Korean summary of Mr. Kim's interview, with some of my commentary.


** I am especially grateful to Ms. Jieun Kiaer, a professor at the Faculty of Asian and Middle Eastern Studies, for arranging and hosting this lecture and interview.


Question #7. 

Producer Kim Hyung-suk is credited with laying the foundation for K-pop, but you're also known for always trying new things. Combining K-drama with K-pop, creating virtual bands, etc. Why do you continue to take on such challenges? 


Answer #7. 

All cultures are merging now. 


There's something called the Medici effect, where the Medici family was famously wealthy in medieval Italy, and they helped create a new form of culture, and the creation of arts through the collaboration of artists of all diverse genres. That's called the Medici effect, which made the Renaissance's cornerstone. 


Similarly, in the age of digitalization and platforms, all genres are mixing. It creates new forms of content. I think the most important part is the combination of art and technology. Not just music, but all industries are combining with technology, including business, finance, and education. Now we're seeing a huge paradigm shift in entertainment, including AI. 


Personally, I'm always curious about what's next. And then I still go for it. Of course, all adventures involve loss and failure, but it is through the experience of failure that your purpose and path become clearer. 


I created a virtual band called "Sa-gong-i-ho" two years ago, which I think was a stimulating challenge. I maximized the imagination of what people can't do in a story and found unlimited possibilities. I also tried many things with characters, VFX, NFTs, and combinations with music.


* Joseph's comment:


Producer Kim Hyung-suk's new challenges and adventures inspire other artists and producers. The attempt to launch the virtual band 'Sa-gong-i-ho' was a project that made a human personality exist through software against the backdrop of an electromagnetic space, often called the 'world of bits'.


I think it's a misnomer to call this work "virtual". "Virtual" means "to pretend that something exists when it doesn't," and the world of bits is physically and electromagnetically real. Because it doesn't exist in an atomic state, we don't have to negate its electromagnetic existence. When we use software, we don't deny the existence of software just because it exists as bits. Just as atomic organisms return to their inorganic state when they die, beings made of bits exist only as long as there is a supply of electrons. We severely tend to think of only the atomic state of existence as real, and everything else as virtual. I treat this as a kind of atomistic preoccupation.


This "Sa-gong-i-ho" project is a work we started at the beginning of a significant era, the "emergence of generative AI". Being a pioneer is always hard and involves a lot of trial and error, but it was a significant challenge because someone has to pave the way first so that the challengers who follow can make greater progress.


In the future, as AI-related infrastructure becomes more advanced and ubiquitous, there will be more of these attempts in the bits world. And meaningful results and directions will emerge. History is leading humanity in this direction, so it is by no means an inevitable problem. Someone will experience it first and create results, and the experience and data produced will be valuable assets to those who follow.


* References and quotations:

https://www.music.ox.ac.uk/event/k-pop-from-the-godfather-of-k-pop-and-bts

https://www.koreatimes.co.kr/www/art/2024/07/398_378556.html


* Series Posts

Part 1.

https://www.musicbusiness.co.kr/2024/07/transcript-of-interview-with-mr-kim.html


Part 2.

https://www.musicbusiness.co.kr/2024/07/transcript-of-interview-with-mr-kim_0392194405.html


Part 3.

https://www.musicbusiness.co.kr/2024/07/transcript-of-interview-with-mr-kim_01853689220.html


Part 4.

https://www.musicbusiness.co.kr/2024/07/transcript-of-interview-with-mr-kim_0403319480.html


Part 5.

https://www.musicbusiness.co.kr/2024/07/transcript-of-interview-with-mr-kim_01180798555.html


Part 6.

https://www.musicbusiness.co.kr/2024/07/transcript-of-interview-with-mr-kim_01478571272.html


Part 7.

https://www.musicbusiness.co.kr/2024/07/transcript-of-interview-with-mr-kim_01463072176.html


Part 8.

https://www.musicbusiness.co.kr/2024/07/transcript-of-interview-with-mr-kim_01523246664.html


Part 9. & 10.

https://www.musicbusiness.co.kr/2024/07/transcript-of-interview-with-mr-kim_0571719258.html


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