Skip to main content

Posts

Featured Post

K-pop: Individual Cognition Theory

Joseph Hwang 1. Individualization of Value If I were to be asked to provide a concise definition of art that is grounded in the human senses, I would suggest that the key elements are "look (visual perception)" and "storytelling (narrative)." Any entity must exist in a cognizable form to communicate with other living beings. This form can be described as "appearance," while the narrative provides a temporal dimension, thus giving the entity life. It is only through the medium of life that art can create meaning; through this same medium, the message of that meaning can be conveyed.  It was previously stated that the economic value of each musical composition is unique. Similarly, the financial value of the artist who performs and delivers that music is also variable. Since music is an aural phenomenon, it lacks a visual representation. However, the artists who create and perform music possess a visual identity. Each artist possesses a distinctive appearanc

Structure of an Exclusive Management Agreement for a K-Pop Artist (Standard Form Contract) - Part 8.

K-pop Fandom Culture: Ttechang (Group Singing)

Structure of an Exclusive Management Agreement for a K-Pop Artist (Standard Form Contract) - Part 7.

Structure of an Exclusive Management Agreement for a K-Pop Artist (Standard Form Contract) - Part 6.

The Impact of Fans' Cell Phone Camera Jikcam (Direct-camming or Fancam) of K-pop Group Concerts and the Issues of Publicity and Copyright Infringement

Image

The Importance of the Production Team's Capabilities Through the Revival of NewJeans' Hanni "Aoi Sangoshou" on Nippon TV's Special Music Show